Friday, 25 June 2010
Monday, 7 June 2010
Then on to my evening event with Trezza Azzopardi and Jon McGregor. Trezza was a delight. Witty, natural, mightily intelligent, she read delicious, sensual passages from her latest novel from Picador, The Song House. This new novel is characterised by her gift for evoking place so expertly – and the two soporific summers in the book that provide a backdrop for her narrative of memory and mystery felt altogether apt for the heat and tristesse of the festival’s close. She talked about how at the heart of her writing the struggle with memory was ever present – our ownership of it, the limitations of it and what it means for our identity, and the ideas we have of ourselves. She was, she said, always reaching for the perfect rendering. But what about her own complex identity? Trezza has Maltese roots and was born and raised in Cardiff. She now teaches on the Creative Writing programme that began everything for her at UEA, Norwich. Does she regard herself as a Welsh writer? No. She’s a writer, she says. Plain and simple. The rest doesn’t (shouldn’t?) come into it.
Jon McGregor was reading from his new novel from Bloomsbury, Even the Dogs. He’s just 34 but has two previous novels under his belt, both of which won him a place on the Man Booker longlist. And he scooped a Betty Trask award from the Society of Authors, a Commonwealth Writers’ Prize and a Somerset Maugham Award for his first, If Nobody Speaks for Remarkable Things. But he’s still, I suspect, relatively unknown to many in the audience. Jon is quiet, intense, polite and genuine. He seems surprised – and relieved – when Trezza and I tell him how incredible his book is. And that surprise – and modesty – is a rare thing in the book world these days. Even the Dogs, with a clear literary progenitor in Faulkner’s As I Lay Dying, is a moving and painful portrait of a motley crew of the forgotten: drug addicts, alcoholics, scarred veterans of modern life’s urban sprawl. Jon was moved to write the book by listening to his wife’s own experiences of working in the charity field and was seeking, he said, to give a voice to the unvoiced. His careful and sensitive attention to detail provides optimism, as well as a study in despair. The characters are reinvested with humanity and, as with Trezza’s The Song House, despite the limitations placed on the ownership of our own lives and language, there is always the will to try. This is a must-read novel by a young writer who is surely tipped to become a major one. I am sincerely hoping that the Man Booker judges graduate McGregor to the next level this year. This slim, poetic novel stays with the reader long after the final page. In the audience, there were gasps at the intensity of a long, panoramic passage in which the author takes us from Helmand Province to a junkie’s vein. But they queued and they bought this book. A job well done.
Finally, we raised a toast to the end of the festival. The marquees were empty and what crowd was left was enjoying Stephen Fry’s set. Hay took on the appearance of the last of a happy wedding day. I look forward to next year.
Even the Dogs by Jon McGregor is published by Bloomsbury. The Song House by Trezza Azzopardi is published by Picador.
The Wales Book of the Year 2010 Short List was announced in a special event on Sunday 6 June 2010, at The Guardian Hay Festival.
From a longlist which was notable for its diversity, the judges have chosen award-winning poet Philip Gross for his poems inspired by images of electricity pylons taken with a pin-hole camera, I Spy Pinhole Eye; Anglo-Russian historian Nikolai Tolstoy for his re-examination of the origins of the tales of the mabinogi, The Compilation of the Four Branches of the Mabinogi, and Terri Wiltshire for her debut novel about racism in America’s Deep South, Carry Me Home.
Tuesday, 1 June 2010
If you have a play that needs a little help standing up, and would like to workshop it with professional actors, Dirty Protest can help. We're looking for a full-length play, to produce a staged reading of – along the lines of our last full-length staged reading, The Bells of Shoreditch. We plan to offer 2-3 days workshopping the play before rehearsing, and staging in front of a paying audience.
We are looking for a play with more potential than polish, that has minimal staging requirements, with a realistic cast size, and around 1 hour in length. As ever, we operate on a shoe-string.
Send your plays to info [at] dirtyprotesttheatre.co.uk by 20 June.